Laurel Lukaszewski shows at NIH!

Laurel Lukaszewski
Night, 2014 ceramics

Artist Statement:

I am fascinated by repetitive forms found in nature, in patterns that seem to make sense out of chaos. I enjoy the poignancy that exists on the edge of celebration and loss, capturing the nostalgia that occurs when one suddenly experiences something long forgotten. Most of my installations identify with the idea of a moment captured in time, a nod to the concept originally from the Japanese tea ceremony of “ichi-go ichi-e” which translated means something close to “in one lifetime, one meeting” or “once in a lifetime.”

My works are most often installed on-site in response to their surroundings, whether extruded clay forms resembling three-dimensional line drawings or individually sculpted objects that multiply into the thousands. These sculptural drawings develop much like graphite on paper, being built up or “erased” when pieces are added or removed. Each time I install a work, it is different. When it is moved, it is dismantled and when reinstalled, it is reconfigured to respond to its new space. For me, this mutability is a fascinating and important aspect of the work, realizing that it will only exist as it is in the present.

Artist Background:

Laurel Lukaszewski is a Washington, DC-area based artist who creates installations and sculptures primarily from clay. Much of her work is composed of extruded forms resembling three-dimensional line drawings or calligraphic brushstrokes and is influenced by her graduate studies and work with Japan over the past two decades.

Laurel has exhibited in galleries and at art fairs across the country and in the UK. Since 2006, she has had ten solo exhibitions in the US, most recently at Messiah College in Grantham, PA and the Art Registry in Washington, DC.

A founding member of Flux Studios in Mt. Rainier, MD, Laurel was a visiting artist at Seattle’s Pottery Northwest in summer 2008 and the 2009 ARTworks artist-in-residence at the Holland Hall School in Tulsa, OK. She has served on a number of nonprofit boards including the Washington Sculptors Group, the National Cherry Blossom Festival and the Washington Project for the Arts Artist Council.

Please visit www.laurellukaszewski.com for more information.

Lore of the Horse shows power, strength of the Chinese brush

Powerful brushstrokes reflect the tradition of the Far East representing this Year of the Horse with the work of Washington area artist Tracie Griffith Tso in an exhibit at the Clinical Center at the National Institutes of Health, July 14 through September 5, 2014.

This dual media exhibit explores Chinese brushpainting on paper and pottery, focusing on the power and strength of the horse, accompanied by a collection of spontaneous flower-bird compositions.

Ink paintings on rice paper show the lighter side of the brush with snowy, moonlit backgrounds and soft water scenes. Black ink adds contrast and movement to fish, birds, flowers and horses.

About the challenges of two mediums, she says, "I can instantly see how my work will look on paper. Claywork is more temperamental so each piece is a surprise."

An earthy echo is apparent in high-fire brown and white stoneware as dimension adds texture, shine and curves to the equation. Koi wind around a wine chiller, a black stallion dances across a platter and a panda perches on a teapot. Handpainting on wheel-thrown and hand built pottery is framed by symbolic patterning, peppered with auspicious red seals called chops.

Griffith Tso began studying Chinese painting at age 12 and specializes in spontaneous brushwork. The award-winning artist developed her style with a teacher who was schooled by a master in Hong Kong. Her introduction to pottery was as a teenager at a local art center, and she returned to the clay medium in 2005, partnering with potter Patricia Ferrell at Brushy Fork Creek Gallery in Crofton, Ky.

Traveling from her native California, Griffith Tso has been teaching and lecturing nationwide about Chinese brushpainting, a 6,000-old technique. A Torpedo Factory associate, she is a member of the Washington Ceramic Guild and the Kiln Club, exhibiting monthly at the Torpedo Factory Art Center's

Scope Gallery. The artist and her husband, along with her muse and rabbit, Cleopatra, reside in North Reston.

This exhibition and sale event runs from July 12 to Sept. 5 and is open to the public. Twenty percent of the proceeds of sales will go toward for the Patient Emergency Fund. The Clinical Center at NIH, Building 10, is located at 9000 Rockville Pike Bethesda, MD 20892. Display cases are located on the ground floor.