Another beautiful sculpture was donated to NIH's collection!

Faye Bates Blessing Woman, 2006 Bronze

Blessing Woman is the first in a series of 12 sculptures that, together,  are entitled the Counsel of Twelve.  Five of her many,  unlimited blessings can be found carved in her hair – Highest Truth, Deepest Peace, Loving Heart, Gratitude and Grace.  With an open heart one can feel her emitting endless blessings and know they have been received.

This work of art was donated to the Clinical Center by Dr. Ellen Anderson.

Trish Crowe’s Work at NIH, May 5th – July 11th

In the past when I have seen a landscape of an open field or a rural farm I tend not to pay much attention, I stop briefly but quickly continue on my way. To me, some depictions of landscapes seem contrived and overdone. There are fields, mountains, flowers, may be the occasional bird or two, but they feel constructed from a “landscape recipe” rather than the creative being that designs them. When I first saw Trish Crowe’s breathtaking watercolor landscapes my view of traditional landscapes was turned inside out and upside-down.

Crowe, founder of the Firnew Farm Artists Circle, which opened nearly 10 years ago, is a studio she shares with group of 30 artists. The group of local artists initially met in the milking parlor to paint together while Crowe facilitated an afternoon critique of new works on a weekly basis. As the Circle grew, gathering more painters and photographers, Crowe converted the barn and silo into an exhibition space where this group of artists continue to work with students and local art teachers.

The Firnew Farm Artists have two exhibitions each year. One in the Firnew Barn Gallery, and others in local venues that include vineyards, Montpelier and this fall Woodberry Forest School in the Walker Fine Arts Gallery. The Circle’s focus is the natural Virginia Piedmont landscape that surrounds them. As Crowe states, “It is the perfect muse. It is line and color. It is ever changing and precious; and each artist has a unique and individual response to it. My watercolors of local fields and farms are a testimony to those artists who continue to challenge and push each other and me.”  

Trish Crowe will be exhibiting her wonderful watercolor paintings in NIH’s North Gallery from September 7^th until November 2^nd. Working with the strength of line, translucency of color, and depictions of local fields and farms, Crowe has built a body of work that is both, vibrant and timeless. Her work focuses on how creating art has been a journey to understand herself and world around her.

The visual texture and excitement Crowe creates in her paintings brightens the rooms at NIH. Standing in front of one of Crowe’s watercolors you can get lost in the scene, transported to a rural sunny field where butterflies move feely and the breeze is ever so slight. The transformative powers of these works are why they are such a perfect fit as one of NIH’s rotating exhibits. Patients and visitors alike can enjoy the playful uplifting watercolor paintings by Crowe.

I encourage you to visit Trish Crowe’s exhibit at NIH and view for yourself the magnificent exploration of self and nature that her work holds.

Written by: Erica Kempler

Rebecca Kamen's Artist Residency at NIH leads to extraordinary new things for the artist!

Karen Hubacher shows work at NIH and creates for a great cause!

Karen Hubacher, now showing at NIH creates an Alchemical Vessel to benefit Smith Center for Healing & the Arts' second annual Alchemical Vessels Exhibition and Benefit! Check out Torpedo Factory's blog post below to learn more about Karen Hubacher's work and the Smith Center benefit.


http://torpedofactoryartists.com/2014/04/breathe-karen-hubacher-and-alchemical.html

Artist Rebecca Kamen Donates Six Paintings to NIH

Rebecca Kamen, an established artist and lecturer who has exhibited and lectured both nationally and internationally has generously donated six of her large-scale paintings on aluminum to NIH. These paintings from the Kami Series, address the Japanese concept of kami, wherein the vital life force energy is believed to reside in natural objects. Kamen has long been interested in Japanese and Chinese concepts of beauty and spirituality as expressed by the natural phenomena such as clouds, rocks, and water. What is fascinating about these works is that they have traveled to Switzerland and Egypt, as part of the Arts in Embassies program, and will now permanently reside in NIH’s Clinical Center.

Walking into Kamen’s studio one can observe her extensive scientific research into the exploration of art and how it intersects with cosmology, history, philosophy, and science. Just to note a few of Kamen’s accomplishments, she has been the recipient of a Virginia Museum of Fine Arts Professional Fellowship, a Pollack Krasner Foundation Fellowship, two Strauss Fellowships, and a Travel Grant from the Chemical Heritage Foundation. Most recently, Kamen received an Artist in Residency Fellowship in the Neuroscience program at NIH, using her work to create bridges between art and neuroscience.

         Currently, Kamen is working on collaborative art/science projects at Harvard University’s Center for Astrophysics and in the Neuroscience Division at the National Institutes of Health. We are so pleased to have such a wonderful donation from Rebecca Kamen grace the walls of NIH.

Community of Hope's Grand Opening of Conway Health and Resource Center!

A few of the artists in Community of Hope's collection. 

From left to right: David Ibata, Danielle Scruggs, Malik Langley, Aniekan Udofia, Camille Mosley-Pasley

Check out Community of Hope's write up in the Washington Post!

http://www.washingtonpost.com/local/new-health-center-offers-convenience-affordability-respect-in-poor-dc-community/2014/01/25/a6f8471e-8568-11e3-9dd4-e7278db80d86_print.html

The Army Wife Now at NIH

Kristin La Flamme’s intricately sewn textiles tell a story of The Army Wife, the expectation and realities in the world of the military spouse. Adapting domestic items such as aprons, quilts, and sheets La Flamme juxtaposes upbeat imagery with the very serious business of life as an Army Wife. Her use of the aprons references a retro-housewife and as La Flamme said in her artist statement, “the clash of expectations vs. reality, which is also the clash a military spouse experiences daily.”

While these textiles are visually stunning, they belie a life where one is somewhat of a “nomad.” Perhaps the inability to settle down and plant roots as an Army Wife has challenged traditional ideals of family and community. Thus inspiring La Flamme to look back on the retro-housewife days of Leave it to Beaver and The Brady Bunch. As supportive as we are for our troops, La Flamme approaches the conversation of war, personal issues, and the numerous roles a spouse must play from the other side, that of the home front, and she does it in a cheerful and elegant light.

The Army Wife by Kristin La Flamme is on exhibit now at NIH’s Clinical Center, 3^rd Floor and will run until March 2014.

More pictures from the Aquilino Cancer Center's Grand Opening!

Aquilino Cancer Center Grand Opening

Artist, JoEllen Murphy stands proudly next to her paintings at the Aquilino Cancer Center Grand Opening.

Installing Work at Aquilino Cancer Center

Washington School of Glass Installing Glass Panels in Meditation Room

View from inside Mediation Room

View from outside Mediation Room

It was 2008 when I first realized how Washington D.C. is special. I’m not talking about a new found knowledge from a textbook regarding the burning of the White House, but rather a real appreciation for the area I have grown up in. Barack Obama and John McCain were facing off for the presidential seat, and as we all know, it was impossible to hide from the race. I believe I was sitting in my living room watching television when I asked my mom about my cousins, her sister’s children, and what it’s like to live in a place that is not D.C. My uncle and aunt live in Houston, Texas, roughly 1400 miles away; and for them, not every news station discusses politics. Conversely, in D.C. during the presidential election, every news station, whether local or national, discusses politics. Every page of the Post talks about politics, from the recent debate on the front page to Michelle’s new bangs in the Style section. The District of Columbia corrupts the minds of children with an immense knowledge and tolerance for politics. So that day, watching the news, I realized that there are places in this country that are hidden from the “sharknado” that is politics.

            I would imagine I’m not alone when I say that I never imagined myself working in the government. Most children and teenagers in the area are so desensitized by politics and government, that to us, working for the government seems ordinary. A few weeks ago, while I was driving downtown, I saw something that would contradict that thought. I was on 17^th street near the Washington Monument when I saw scores of people who appeared to be college-aged. They were in athletic attire, so I assumed they were getting in their daily workout after a busy day on Capitol Hill. Seeing those people put into perspective the attractiveness of government jobs. There are probably thousands of college students each year who major in Political Science and pray that by summer, they have an internship with a Senator or Congressman. I guess that with the recent economic crisis, a stable government job that pays well, looks good on resumes, and places one in a vibrant city seems pretty ideal.

            Now, fast-forward five years from that day in front of the television, and, guess what, I’m working in the government. Being the child of two government employees, I would never have assumed that I would be working for “the man.” And after a little less than two months, I can say that being involved in the largest and most powerful government in the world is pretty cool. I have an ID badge, I have a parking pass, and I could possibly have some clearance, although I would bet I have none because I’m an intern; but the prospect is awesome. Coming into the summer, I was completely unsure of what I would be doing. I imagined myself lounging at home and mowing lawns, but by the grace of a family friend and a few connections, “bada-bing bada-boom,” I’m at NIH.

To be honest, it is surreal. My first thought coming into NIH was that I had to find and meet Francis Collins. At the end of high school, I was required to write a senior thesis, and the subject of mine was the relationship between science and religion; and who better to aid me in my research than Collins. I distinctly remember that my adviser, after reading the rough draft, told me to add more sources because my paper was relying too heavily on Collins. So, needless to say, I was excited to come to NIH. Although I have yet to meet Dr. Collins, I have still greatly enjoyed my time here. I have the opportunity to witness first-hand what it takes to manage an art gallery, and to do it in such a different setting makes it all the more intriguing. The combination of art and health care is a road less traveled in Art History textbooks, and for that I don’t know why. Art can be one of the strongest influences in a person’s recovery, especially because it can add some color and life to an otherwise bland and intimidating hospital room.

My art experience was limited coming into NIH, but now that I have worked in an office and delved into the world of art management, I can honestly say that I look forward to each coming summer when I can continue to chip away at my art experience and become more knowledgeable of the diverse field. 

Tommy Finton

Our Blessing Stone at the Aquilino Cancer Center

 

This is how high the commission from the Washington Glass School will be, we are so excited!

Artworks at NIH by Tommy Finton

When I first told my parents about my internship at the National Institute of Health, they recalled how years ago, if one needed to get from Wisconsin Avenue to Old Georgetown Road, he or she could simply cut through the NIH’s campus. In the wake of the events on September 11^th, that same person cannot drive through the campus. Because it is the largest research center in the world and a faction of the United States Government, the NIH has “beefed” up its security since September 11^th. Large gates surrounding the campus, security guards at every entrance, and mandatory ID badges are just par for the course. One result of these changes is the lack of art exposure to the public. Before the attacks, people could come to art shows on campus and see the pieces whenever they wanted to; now, it takes multiple checkpoints to go about the same process. The NIH has done its duty in protecting the campus and its workers, but it’s a shame that the public and art had to suffer.

Despite all the security measurements at the NIH, the artwork is as strong as ever. It is impossible to walk about the Clinical Center and not stop to look at some of the wonderful pieces that have been created by local artists. One of my favorite paintings is Bridge to Georgetown by Jane McElvany Coonce. The painting puts us in the eyes of a person in Rosslyn looking across the Potomac River towards the Francis Scott Key Bridge with the gorgeous architecture of Georgetown University in the background. We see the calm waters at dawn and I can’t help but imagine rowers getting in their morning workout. I like this paiting so much because it presents a scene that is very representative of Washington D.C. and the metropolitan area as a whole. During the day D.C. can seem like the The Little Engine That Could on steroids, a city with perpetual life that never stops moving.

At dawn, however, on the Potomac with Georgetown in your sight, D.C. becomes something entirely different. If for only a short period of time, this city actually relaxes and enjoys life. Coonce’s Bridge to Georgetown shows another side to this wonderful place, one that very few people see; and that can also be said for the NIH. Although most people never step foot on this campus, there is a host of wonders going on. From the doctors curing diseases to artwork on the walls, the NIH is like Bridge to Georgetown, a beautiful scene that shows a different side to D.C. 

           Continuing with the theme of representation, Cicada by Andrea Way is exactly what you might guess, a silkscreen incorporating our “love” for those infernal insects. Hatching once every 17 years, the cicadas plague the D.C. area when they’re here. Everywhere you walk, drive, and sit, you hear the crunch of their tiny bodies being squished. I don’t really care for these bugs; my favorite cicada is a dead cicada. In fact, when dipped in chocolate, cicadas become quite tasty; I’m sure Andrew Zimmern on Bizarre Foods has eaten many of them in various forms.

         Never mind food, back to the silkscreen. From afar Way’s piece looks like a mass of lines and colors, but up close, you realize the time and patience required in drawing well over 150 cicada wings. For a while, I thought she actually put wings on the silkscreen. Way’s level of detail is that intense and it invites the viewer to look closer. Another remarkable characteristic of each layer is that it’s transparent. Despite there being 18 layers, you can see a wing that was drawn a few layers below the surface. Like Bridge to Georgetown, Cicada contains a little part of D.C. To those who live in ciscada-less states, the silkscreen will just be a beautiful piece of art, but to those who reside in the Washington area, it brings up memories of hot summers made even worse by these insects. Way makes a very subtle reference to the District, but it’s one that I love. Not to mention, her use of yellow hues contrasting with the blues is wonderful. The NIH strives to obtain art from local artists, and it succeeds because it has found works that connect with the viewer, fulfilling the very purpose of art itself; that connection between art and viewer makes the person more appreciative of the work, and I can say that I greatly enjoy Cicada...but I still hate the bugs.

         The final piece is special because it brings me back to my more youthful years. Big Red Dog by Raya Bonardchuck is a gem. This wooden sculpture is a nice change to the otherwise delicate artwork at the NIH. What’s different about Big Red Dog is that it can be touched and even played with. Every time I walk past the dog, I wish I was just a little bit smaller and had fewer responsibilities so I could spend hours pretending to ride “man’s best friend.” The dog is great because it really caters to the younger patients, but at the same time, it reminds me that there are children here stricken with life-threatening diseases. Children want to play outside and be worry-free, not sit in a hospital getting blood work. Unfortunately, there are children at the NIH who are uncertain of their future, but Bonardchuck has created the perfect distraction for these kids. I’m sure some of them are intimidated by all of the adults and annoyed by the lack of “fun” things to do. So for one of them to walk around and suddenly see a big, climbable dog, it must be relief. If for only a short period of time, the kids can be kids and forget all of their troubles. It’s very sad the situation some of the children are in, but at the same time, I’m thankful for Bonardchuck’s piece and how it can be the best therapy for the younger patients at the NIH.

         Bridges, bugs, and dogs: all simple concepts that become something entirely different when added to art. Bridge to Georgetown, Ciscada, and Big Red Dog, are three pieces that I feel present deeper meanings into the area we live in and the people around us. Coonce, Way, and Bonardchuck should be commended for their artwork and the connections it makes with the employees and patients. The NIH has a world class art collection and everyone should try to make onto campus and see the works. Yes, it may take 15 extra minutes to get through security, but it is well worth the trip. I’m glad I’ve gotten the chance to be surrounded by these pieces, and I know that others will be too.